Even the best-prepared cases can fall flat if the decision makers aren't engaged. Getting and holding their attention is key – and can be achieved in only a few steps. In Persuasive Communication, Eric explains how it can be done – and how to then communicate the story in a whole-brain-friendly manner. Through the book's real-life demonstrative examples, you'll never approach a case in the same way ever again!
Here's what you'll experience:
Part I: Rapport
Brain and social science have now confirmed the value of putting first things first in persuasive communication – actions before words. Specifically, that means appealing directly to the decision-making mind by applying the natural phenomenon of mirroring in each persuasive communication, right up front where it does the most good. The decision maker's brain wants your behavior to lead any communication and will be reading and responding to your actions – no matter what shape they're in.
Chapters
1 Reflections on Mirroring
Part II: Stories
Your clients' cases are going to be rewritten as stories by every decision maker, regardless of whether or not he or she attended law school. That said, you need to know how to develop your case presentation as a story. But no matter how great a story you prepare, if your presentation is poor, it most likely won't get across the way you hope.
Chapters
5 Making Sense to Jurors
6 Tell Me A Story
7 Embodying the Story
Part III: Decision Making
Actions and images always come before your words when you are trying to persuade the mind outside conscious reach. The conscious and other-than-conscious parts of every decision maker's mind play by different sets of rules. These rules are also much different than most of us have been raised and taught to think. Learning a little more about the real decision making process and even how to track what is likely to influence it most, at the early stages of the decision making process, can be a huge help.
Chapters
8 Is Jury Psychology an Oxymoron
9 Testing, Testing
10 Jury See, Jury Decide
Part IV: Persuasion
When you try to present the case story you've spent so much time, energy and resources preparing, you want to be sure you're taking advantage of every useful tool. It's not enough just to respect the other-than-conscious demands of starting with actions and images before you jump to the words. You need to know how to put the nonverbal and verbal parts of your client's case story into a seamless package that you can actually deliver with some confidence. That's true whether your decision makers are in a courtroom, conference room or the phone.
Chapters
11 Things Aren't Always What They Are
12 That Reminds Me
13 Anchors and Frames and Themes (Oh My!)
Part V: The Mind
What exactly is going on above and beyond the conscious scenery at the level where every legal decision, in a large case or a small one, starts getting judged? Our appreciation of the way the mind really handles (or sometimes manhandles) efforts to influence it has changed a great deal even over the last decade or so. You may want to open a window onto what we now know about that process.
Chapters
14 More Than Meets the Ear
15 More Than Meets the Mind
Part VI: Themes
You have to start somewhere. You have to move through the middle. And, you have to know when you've arrived. Your case story theme is what you must rely on to provide these essential directions for your delivery. You have to provide it – or else the decision makers will provide it for you.
Chapter
16 Developing a Case Theme
Since its release last fall, Persuasive Communication has been called wise, lively, invaluable and a "masterpiece." Click here to read what people are saying.
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